A Midsummer Night’s Fling by Beth Matthews
Stage Kiss Series (#1)
Max regrets hurting Nicola, but he wants another chance. So when his play loses its leading lady, giving Nicola the part seems like the perfect opportunity to win back his old flame.
But the course of true love—and a theater production—never do run smooth. As Max fights to reignite Nicola’s love, the onstage antics can’t rival the bedlam backstage: a neurotic cast, a prickly crew, and an evil diva of a director who’s got designs on Max.
As Nicola and Max battle to keep the drama onstage, Max can’t help wondering if their romance will end with the last performance. Or have the two of them finally captured what they’ve dreamed of all their lives? True Love.
A contemporary romance that should appeal to fans of the wry humor and playful sexiness in the works of Julie James and Victoria Dahl.
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About the Author
What inspired you to write A Midsummer Night's Fling?
I've been in A Midsummer Night's Dream twice as an actor (once as a fairy and once as Hermia, the ultimate Shakespeare bimbo) and I met my boyfriend during one those productions. So, for various reasons, it's kind of my sentimental favorite of Shakespeare's plays. Reunited lovers is also one of my favorite tropes so, when I started brainstorming ideas for a contemporary, the idea of reunited lovers having to work together to play Titania and Oberon (the ultimate Shakespeare power couple) just got all of my creative juices flowing.
What scene was the hardest to write? Why?
When I was doing research for A Midsummer Night's Fling I read this great story about Richard Burton and JFK having a contest at a party to see who could remember the most Shakespearean sonnets. (Burton won, by the way.) I knew I had to steal this for my book--and I did! The hero and several of the other actors have a "Sonnet Faceoff"--but working the contest into the story was difficult. I had to keep the pace moving and find a balance between working the sonnets in but not drowning the reader with them. I think I finally nailed it, but it took a LOT of drafts.
What's your favorite moment from your book?
I really love this exchange between the hero and heroine right after she joins the play:
"I should have asked for more money to do this play," she said.
Max nodded. "Probably."
"And my own dressing room."
"And some sort of cabana boy to feed me grapes in the breaks between scenes."
"Well," Max paused, putting on a thoughtful expression. "We don't have anyone like that on staff, but maybe one of the interns."
Who's your favorite character in A Midsummer Night's Fling?
Well, of course I love the leads and I love their chemistry together, but one of the secondary characters snuck up on me too and became a real scene stealer. That was Lachlan, the hero's main rival in the theater company. Lachlan is really fun to write because he is snarky and sneaky and British and sexy as hell. (He might or might not be based a little bit on Tom Hiddleston…) Lachlan is going to get his own book at some point--he's just too much fun to write!
What is your next project, and when will it be released?
Right now I'm polishing up a New Adult romance, Love's Last Call, for release later this year. It's about a dorky bouncer and the cocktail waitress he's sure is out of his league. If people want to learn more they can check out the book's info-page on my website.
Which three books would you take to a desert island and why?
Curse of Chalion by Lois McMaster Bujold because that is my very favorite book. The hero Cazaril is so compassionate and witty. I reread that book at least once a year. Faking It by Jennifer Crusie, which is probably my favorite romance novel of all time. I love Tilda and Davy's banter. No one writes banter like Crusie. Lastly, I would probably take some sort of instruction manual on how to build a raft or an island survival guide. ;P
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